Inneggiamo maria callas biography

The online opera guide to Maria Callas

Read the short biography of Maria Callas and listen to highlights of her career. Maria Callas undoubtedly belongs to the 3 most important female opera singers of the 20th century. Many of her recordings have become references.

Callas Locations

Meet the most important places:

Callas’ Roots in New York and Athens

Maria Callas, born 1923 in New York, left the United States with her mother after the divorce of her Greek-born parents for Athens. There the talented Maria was trained in singing under the strict supervision of her mother.

First appearances and marriage

At the age of 15 she had her first public appearance. Her first leading role was at the age of 19 in the National Opera of Athens with Tosca. In 1949 she married her 27 year older promotor Meneghini.

On the way to celebrity

Callas attracted international attention with a Mexican tour. With iron will she went through a slimming cure and lost about 30 kilograms within half a year. She thus laid the foundation stone for her status as a style icon of the 50s. Due to her

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For those around the past several years, we cover one of my favorite pieces on this day — The Easter Hymn from Mascagni’s Cavalleria Rusticana. It’s now officially a tradition!

No matter what we believe in, it’s hard to deny the beauty behind this piece — in its music and meaning.

It is Easter morning in a 19th-century Italian village. Santuzza’s character sings the Easter Hymn in this excerpt, also referred to as both “Regina Coeli” and “Inneggiano”. She is singing to herself as her Sicilian village takes part in Easter festivities.

“Inneggiamo, il Signor non è morto” — “We rejoice that our Savior is living!”

We rejoice that our Savior is living!
He all-glorious arose from the dead;
Joys of heaven the Lord to us

Opera, Interview, Greek - American soprano Maria Callas, classical, opera singer. Fair to poor recording.

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 File — Box: 9, CD: MUS 183

Scope and Content

From the Collection: The collection consists of 591 recordings of folk songs, folklore and local histories collected by Ruben Cobos from 1944-1974 in northern New Mexico and southern Colorado. Also included in the collection are about 270 additional recordings of selected music - a few from New Mexico, many from Mexico and Latin America, and others from Spain, Europe and the U.S. The recordings vary in quality between good, fair, and poor. They contain both musical and spoken content. Most recordings are in Spanish, however, a few are in English. Others are Bilingual or represent the use of Spanglish.

The informants are mainly from New Mexico and Colorado, with a few from California, Texas and Mexico. The collections focuses heavily on spoken Spanish, with examples of poetry, riddles, proverbs, legends, anecdotes, folk tales, mysteries, prayers, nursery rhymes, games, jokes, language

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