Yossi milo instagram
- Myoung ho lee
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- Born and raised in a tiny town north of Tel Aviv, he'd developed his passion as a child while attending a boarding school in Israel located.
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Simen Johan
Education
1996
BFA in Photography, School of Visual Arts, New York, NY
1992
Degree in Photography, Video, and Film, Lugnetskolan, Falun, Sweden
Selected solo exhibition
2019
Conspiracy of Ravens, Yossi Milo Gallery, New York, NY
Brad Cushman Gallery, University of Arkansas, Little Rock, AR
2018
Until the Kingdom Comes, Fotografiska, Stockholm, Sweden
2017
Center for Photography, Ykaterinburg, Russia
2016
Simen Johan, Yossi Milo Gallery, New York, NY
2015
Simen Johan, Olson Gallery, Bethel University, St. Paul, MN
2013
Simen Johan, Yossi Milo Gallery, New York, NY
2012
Simen Johan, Until the Kingdom Comes, David Winton Bell Gallery, Brown University, Providence, RI
2011
Simen Johan, Yossi Milo Gallery, New York, NY
Simen Johan: Until the Kingdom Comes, Pollock Gallery, Meadows School of the Arts, Southern Methodist University, Dallas, TX
Simen Johan: Until the Kingdom Comes, Frist Center for the Visual Arts, Nashville, TN
2010
Simen Johan: Until the Kingdom Comes, 21c Museum, Louisville, KY
Simen Johan, Pollock Gallery, Meadows School of the
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They say you can tell a lot about a person by what they like. But Yossi Milo’s taste is not so easily defined. If you had to describe it, you might say the 38-year-old Israeli-born photography dealer—whom most observers agree has his finger on the pulse of a new breed of contemporary photographers—favors work that’s a bit mysterious, work that keeps something of itself in reserve.
The solo show of large-scale color prints by Martina Mullaney that kicks off Milo’s move in Chelsea to a ground-floor space on West 25th Street this month is a case in point. Mullaney, a Royal College of Art graduate, spent a year visiting hostels and shelters around England, Ireland, and Wales photographing the beds where indigent people had just spent the night. But rather than being simply documentary or diaristic, her prints are more about abstract notions of color and light: a few gentle ripples in a white sheet, a slight shift of color or a scuff on a wall. “I love the perfect composition, the perfect coloring and texture—they are like paintings, actually,” says Milo. “But most of all, I am intere
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