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Two and a half years ago, feeling existentially adrift about the future of the planet, I sent a letter to Wendell Berry, hoping he might have answers. Berry has published more than eighty books of poetry, fiction, essays, and criticism, but he’s perhaps best known for “The Unsettling of America,” a book-length polemic, from 1977, which argues that responsible, small-scale agriculture is essential to the preservation of the land and the culture. The book felt radical in its day; to a contemporary reader, it is almost absurdly prescient. Berry, who is now eighty-four, does not own a computer or a cell phone, and his landline is not connected to an answering machine. We corresponded by mail for a year, and in November, 2018, he invited me to visit him at his farmhouse, in Port Royal, a small community in Henry County, Kentucky, with a population of less than a hundred.

Berry and his wife, Tanya, received me with exceptional kindness, and fed me well. Berry takes conversation seriously, and our talks in his book-lined parlor were extensive and occasionally vulnerable. One afternoon,

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Wendell Berry

American writer (born 1934)

Wendell Erdman Berry (born August 5, 1934) is an American novelist, poet, essayist, environmental activist, cultural critic, and farmer.^[1] Closely identified with rural Kentucky, Berry developed many of his agrarian themes in the early essays of The Gift of Good Land (1981) and The Unsettling of America (1977). His attention to the culture and economy of rural communities is also found in the novels and stories of Port William, such as A Place on Earth (1967), Jayber Crow (2000), and That Distant Land (2004).

He is an elected member of the Fellowship of Southern Writers, a recipient of the National Humanities Medal, and the Jefferson Lecturer for 2012. He is also a 2013 Fellow of the American Academy of Arts and Sciences and, since 2014, a member of the American Academy of Arts and Letters.^[2] Berry was named the recipient of the 2013 Richard C. Holbrooke Distinguished Achievement Award.^[3] On January 28, 2015, he became the first living writer to be inducted into the Kentucky Writers Hall o

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“Because a thing is going strong now, it need not go strong for ever,” [Margaret] said. “This craze for motion has only set in during the last hundred years. It may be followed by a civilization that won’t be a movement, because it will rest upon the earth.
E. M. Forster, Howards End (1910)1

One night in the winter of 1907, at what we have always called “the home place” in Henry County, Kentucky, my father, then six years old, sat with his older brother and listened as their parents spoke of the uses they would have for the money from their 1906 tobacco crop. The crop was to be sold at auction in Louisville on the next day. They would have been sitting in the light of a kerosene lamp, close to the stove, warming themselves before bedtime. They were not wealthy people. I believe that the debt on their farm was not fully paid, there would have been interest to pay, there would have been other debts. The depression of the 1890s would have left them burdened. Perhaps, after the income from the crop had paid their obligations, there would be some money that they could spend as